Essay and Articles

Breath Trip, The Village Voice, 1999

A Village Voice article from 1999 on Stanislav Grof’s Holotropic Breathwork. It covers Grof’s seminar at the New York Open Center, his earlier LSD research at the Maryland Psychiatric Research Center, and the claim, seconded by facilitator Oliver Miller, that accelerated breathing reaches the same nonordinary states as psychedelics.

Essay and Articles

Listening to Acid, The Village Voice, 1998

The Village Voice, 1998. The article follows Myron Stolaroff’s New York visit for The Secret Chief, the first book published by MAPS, and a Lindesmith Center talk with psychologist Richard Yensen, tracing how LSD psychotherapy, including alcoholism work under Stanislav Grof in Maryland, was shut down after the 1965 ban.

Essay and Articles

Paradise Not Quite Lost

On the intentional communities movement, centred on Twin Oaks — the commune in Louisa County, Virginia, founded in 1967 on the model of B. F. Skinner’s Walden Two. Written for The New York Times Magazine, August 1997.

Essay and Articles

Hey mister, can you dunk?, Esquire, 1997

Esquire, 1997. A first-person account of five weeks of training at the Chelsea Piers Sports Center, where fitness director Erik Stevens and trainers Paul Virtue and Tom Beaumont used stretching, plyometrics, and posture correction to add six inches to Pinchbeck’s vertical leap, enough to touch the rim in Tompkins Square but not to dunk.

Reviews

On Being Blue, Forward, 1997

Originally published in the Forward in 1997. A profile of Dutch novelist Arnon Grunberg on the American release of Blue Mondays by Farrar, Straus and Giroux, covering his years as a high school dropout, the bankruptcy of his Kasimir Press, and his parents’ survival of the Holocaust. Grunberg, then 25 and living in New York, discusses the novel’s bestseller status in Holland.

Reviews

The Ordinary’s Outer Limits, The Washington Post, 1996

Originally published in The Washington Post, 1996. A review of Leslie Fiedler’s essay collection The Tyranny of the Normal, which ranges across organ transplants, sideshow freaks, and the religious core of the 1960s counterculture. Pinchbeck argues that Fiedler abandons critical rigor for personal performance, and that his claims about the popular mind overstep what his kind of criticism can support.

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