Essay and Articles

Hey mister, can you dunk?, Esquire, 1997

Esquire, 1997. A first-person account of five weeks of training at the Chelsea Piers Sports Center, where fitness director Erik Stevens and trainers Paul Virtue and Tom Beaumont used stretching, plyometrics, and posture correction to add six inches to Pinchbeck’s vertical leap, enough to touch the rim in Tompkins Square but not to dunk.

Reviews

On Being Blue, Forward, 1997

Originally published in the Forward in 1997. A profile of Dutch novelist Arnon Grunberg on the American release of Blue Mondays by Farrar, Straus and Giroux, covering his years as a high school dropout, the bankruptcy of his Kasimir Press, and his parents’ survival of the Holocaust. Grunberg, then 25 and living in New York, discusses the novel’s bestseller status in Holland.

Reviews

The Ordinary’s Outer Limits, The Washington Post, 1996

Originally published in The Washington Post, 1996. A review of Leslie Fiedler’s essay collection The Tyranny of the Normal, which ranges across organ transplants, sideshow freaks, and the religious core of the 1960s counterculture. Pinchbeck argues that Fiedler abandons critical rigor for personal performance, and that his claims about the popular mind overstep what his kind of criticism can support.

Reviews

Men, Monkeys And Mayhem, The Washington Post, 1996

A 1996 Washington Post review of Demonic Males by Richard Wrangham and Dale Peterson. The book argues that human male violence descends from patterns visible in chimpanzees, and that the peaceable, sexually promiscuous bonobos living across the Zaire River point to an alternative rooted in female social bonds. Pinchbeck endorses the authors’ feminist optimism over more Machiavellian readings of human nature.

Reviews

Film-Making Twins With a Taste for the Dark Side, The New York Times, 1996

Written for The New York Times in 1996. A profile of identical twin animators Timothy and Stephen Quay, timed to the US premiere of their first live-action feature, Institute Benjamenta, adapted from Robert Walser’s novella Jacob von Gunten. The piece covers their Philadelphia origins, their London career, the puppet film Street of Crocodiles, and the influence of Walerian Borowczyk and Jan Svankmajer.

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