Are We Automating Ourselves Out of Consciousness? | Alex Ebert
Alex Ebert, the musician who fronts Edward Sharpe and the Magnetic Zeros and writes on philosophy and culture, opens with a video he made from his experience as a producer. The loudness wars of the late 1990s and early 2000s compressed recordings until an album’s waveform looked like a solid block with no dynamic range, and Ebert treats this as a picture of the dialectic: oscillations rise in frequency until positive and negative can no longer be distinguished, at which point a new state emerges that stacks with rather than replaces the old. He applies the model to consciousness, distinguishing animal automaticity from the specifically human capacity to problematize an object that already matches its mental schema. The closing turns to culture, invoking Alexander Bard’s barred absolute and arguing for exclusion as a condition of pluralism.